Vitajte vo v\u00fdtvarnej krajine Olgy Pa\u0161t\u00e9kovej (1984), v krajine sladkej osamelosti a temnej podoby kr\u00e1sy. Je vyjadren\u00edm zalesnen\u00e9ho a \u201ezav\u00edren\u00e9ho\u201c sveta syst\u00e9mov, po\u010d\u00edta\u010dov a organizmov.<\/p>\n
Mal\u00e9 v\u00fdtvarn\u00e9 predstavenie sa odohr\u00e1va na dvoch podla\u017eia a v dvoch rovin\u00e1ch:<\/strong><\/p>\n 1. Krajina I \u2013 Naru\u0161en\u00e1 rovnov\u00e1ha<\/strong> \u2013 Na pr\u00edzem\u00ed nieko\u013eko panelov so spletitou figur\u00e1ciou a remixom architekt\u00fary, pr\u00edrody a mestsk\u00fdch stvoren\u00ed (s\u00e9ria Krehk\u00e1 rovnov\u00e1ha). Na pozad\u00ed pochm\u00farnej, de\u0161trukt\u00edvnej, hrdzavej post-industri\u00e1lnej krajiny sa zjavuj\u00fa, prekr\u00fdvaj\u00fa aj z\u00e1pasia urb\u00e1nne \u201epotvory\u201c (\u013eudia aj zvierat\u00e1). Surov\u00fdm sp\u00f4sobom zjavuj\u00fa intuit\u00edvnu, divok\u00fa a nesp\u00fatan\u00fa silu pr\u00edrody, ale aj \u013eudskej povahy \u2013 preto havrany, vlci, vlkolaci a lunatick\u00e1 moc tmavej noci. Odkazuje k mu\u017eskej sile, \u013eudskej agresii a nen\u00e1sytnosti, ale \u010dierna je aj znakom ask\u00e9zy, pokory a mo\u017enej zmeny paradigmy, \u010di reform\u00e1cie. Tieto dreven\u00e9 obrazov\u00e9 polia prin\u00e1\u0161aj\u00fa intenz\u00edvny vn\u00fatorn\u00fd hlas autorky, mo\u017eno v\u00fdkrik v od\u013eud\u0161tenom svete civiliz\u00e1cie.<\/p>\n Tento emocion\u00e1lny n\u00e1boj umoc\u0148uj\u00fa len nazna\u010den\u00e9 fig\u00fary \u2013 ide o mo\u017en\u00e9 tiene, duchov, nejasn\u00e9 obrysy nap\u00e4t\u00fdch tiel. Ide metaforicky o neboj\u00e1cne vstupovanie do za\u010darovan\u00e9ho lesa s nevinnos\u0165ou Karkulky. Prin\u00e1\u0161a aj ist\u00fa formu obna\u017eovania \u2013 v s\u00e9rii kresieb na \u010diernom pozad\u00ed sa objavia vlci a nah\u00ed \u013eudia ( s\u00e9ria If You Became Naked). N\u00e1js\u0165 tu mo\u017eno aj ozveny drsnej atmosf\u00e9ry malieb jej pedag\u00f3ga Daniela Richtera. Labyrint panelov tak prin\u00e1\u0161a siln\u00fa vizu\u00e1lnu spr\u00e1vu o naru\u0161enej rovnov\u00e1he \u2013 ostro vyp\u00e1len\u00fa, na tvrdo vyryt\u00fa a hlboko zarezan\u00fa stigmu do tela dreva (aj \u013eudskej mysle)…<\/p>\n 2. Krajina II \u2013 Vn\u00fatorn\u00e1 krajina<\/strong> \u2013 V podzemnom podla\u017e\u00ed gal\u00e9rie Zichy vch\u00e1dza n\u00e1v\u0161tevn\u00edk do Pa\u0161t\u00e9kovej krajiny so \u201esvetlodomcami\u201c (s\u00e9ria Paraleln\u00e9 svety). Vy\u017earuj\u00fa z nich sveteln\u00e9 l\u00fa\u010de, teplo a pre\u017eiaren\u00e9 l\u00ednie vt\u00e1kov a zvierat. Predstavuj\u00fa d\u00f4vern\u00fd, trochu melancholick\u00fd svet h\u013eadania rovnov\u00e1hy a dial\u00f3gu \u010dloveka s pr\u00edrodou. Drobn\u00e9 architekt\u00fary znamenaj\u00fa ist\u00e9 \u00fato\u010disko, schr\u00e1nku, dom\u00e1ce z\u00e1zemie aj detsk\u00fa skr\u00fd\u0161u, \u010di h\u013eadanie in\u00e9ho paraleln\u00e9ho k\u013e\u00fa\u010da v s\u00fa\u010dasnom \u201erozbitom\u201c svete. Mo\u017eno ide aj o priliehav\u00e9 vyjadrenie sladkej osamelosti umelkyne v pert\u017ealskom no\u010dnom byte (star\u0161ie kresby No\u010dn\u00fd chodec, Insomnia, Vertigo a pod.).<\/p>\n Aktu\u00e1lna tvorba Olgy Pa\u0161t\u00e9kovej tak prin\u00e1\u0161a naliehav\u00e9 metafory a vizu\u00e1lne podobenstv\u00e1, dokonca aj potrebn\u00e9 apely a v\u00fdzvy. K\u00fdm pr\u00edzemie v\u00fdstavy je v\u00e4\u010d\u0161mi o vonkaj\u0161om nastaven\u00ed civiliz\u00e1cie a jej stretu s pr\u00edrodou \u2013 brut\u00e1lny, post-industri\u00e1lny envorinment s dob\u00fdvan\u00edm\/dob\u00edjan\u00edm \u017eivej pr\u00edrody, podzemie ukazuje viac vn\u00fatorn\u00fa int\u00edmnu stavbu s inou mierkou, citliv\u00fa mem-br\u00e1nu so svetielkom n\u00e1deje a dial\u00f3gu. Hore je zlovestn\u00fd za\u010darovan\u00fd les, o okt\u00e1vu ni\u017e\u0161ie \u2013 roz\u013eahl\u00e1 vn\u00fatorn\u00e1 krajina, \u010darovn\u00fd svet imagin\u00e1cie a svetlopr\u00edbehov. Tu sa sladk\u00e1 samota a sladk\u00e1 temnota men\u00ed znova na \u201ehome sweet home\u201c….<\/p>\n","protected":false},"excerpt":{"rendered":" Vitajte vo v\u00fdtvarnej krajine Olgy Pa\u0161t\u00e9kovej (1984), v krajine sladkej osamelosti a temnej podoby kr\u00e1sy. Je vyjadren\u00edm zalesnen\u00e9ho a \u201ezav\u00edren\u00e9ho\u201c sveta syst\u00e9mov, po\u010d\u00edta\u010dov a organizmov. Mal\u00e9 v\u00fdtvarn\u00e9 predstavenie sa odohr\u00e1va na dvoch podla\u017eia a v dvoch rovin\u00e1ch: 1. Krajina I \u2013 Naru\u0161en\u00e1 rovnov\u00e1ha \u2013 Na pr\u00edzem\u00ed nieko\u013eko panelov so spletitou figur\u00e1ciou a remixom architekt\u00fary, pr\u00edrody […]<\/p>\n","protected":false},"featured_media":0,"template":"","acf":[],"event_date":{"start_date":1665014400,"end_date":1667088000},"_links":{"self":[{"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/event\/177190"}],"collection":[{"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/types\/event"}],"version-history":[{"count":3,"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/event\/177190\/revisions"}],"predecessor-version":[{"id":186851,"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/event\/177190\/revisions\/186851"}],"wp:attachment":[{"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/media?parent=177190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}