U\u017e dobov\u00e9 neoavantgardy 60. a 70. rokov experimentovali s poru\u0161en\u00edm ohrani\u010denia plochy \u010di s expanziou klasick\u00e9ho maliarskeho m\u00e9dia do intermedi\u00e1lnych prostred\u00ed, aby sa v r\u00e1mci emancipa\u010dn\u00fdch sn\u00e1h oslobodzovali od form\u00e1lnych n\u00e1rokov, ktor\u00e9 boli kladen\u00e9 na tradi\u010dn\u00e9 form\u00e1ty. Aktu\u00e1lne dielo je pr\u00edkladom roz\u0161\u00edrenia ma\u013eby do priestorovej in\u0161tal\u00e1cie. Kriticky sleduje estetiku, o ktorej sa povojnov\u00fdm modernistick\u00fdm jazykom rozpr\u00e1va ako o takzvanej vrodenej \u0161trukt\u00fare ma\u013eby.<\/p>\n
V interdisciplin\u00e1rnom poli s\u00fa\u010dasn\u00e9ho umenia Demeter rekon\u0161truuje svoje priestorov\u00e9 kresby, pigmentov\u00e9 ma\u013eby \u010di materi\u00e1lov\u00e9 \u0161trukt\u00fary do unik\u00e1tnych miesto\u0161pecifick\u00fdch architekt\u00far. Tie v\u0161ak nevznikaj\u00fa len procesu\u00e1lnym rozoberan\u00edm obrazov\u00e9ho form\u00e1tu, ale aj neust\u00e1lou autorskou recykl\u00e1ciou a rekompoz\u00edciou predo\u0161l\u00fdch diel. V procese deestetiz\u00e1cie konven\u010dn\u00fdch obrazov\u00fdch a zmyslov\u00fdch kval\u00edt sa tak rozp\u00fa\u0161\u0165a unik\u00e1tnos\u0165 autorskej v\u00fdpovede a vytv\u00e1ra priestor pre cibrenie mo\u017en\u00fdch nadzmyslov\u00fdch kval\u00edt diela. Kol\u00e1\u017e ve\u013ekoform\u00e1tov\u00fdch farebn\u00fdch pl\u00f4ch vznikla vrstven\u00edm papierov nasiaknut\u00fdch epoxidov\u00fdmi \u017eivicami, do ktor\u00fdch boli zaliate farebn\u00e9 pigmenty (kadmium, kostn\u00e1 \u010der\u0148, indick\u00e1 \u017elt\u00e1, ultramar\u00edn at\u010f.). Tie v z\u00e1vislosti od mno\u017estva \u010di krycej schopnosti spriesvit\u0148uj\u00fa jednotliv\u00e9 podklady a prieh\u013eady do vrstiev materi\u00e1lu, aby vytv\u00e1rali nov\u00e9 senzu\u00e1lne kvality, ako napr\u00edklad \u201eigelitov\u00e9\u201c vlastnosti alebo v\u00fdrazn\u00fd lesk.<\/p>\n","protected":false},"excerpt":{"rendered":"
U\u017e dobov\u00e9 neoavantgardy 60. a 70. rokov experimentovali s poru\u0161en\u00edm ohrani\u010denia plochy \u010di s expanziou klasick\u00e9ho maliarskeho m\u00e9dia do intermedi\u00e1lnych prostred\u00ed, aby sa v r\u00e1mci emancipa\u010dn\u00fdch sn\u00e1h oslobodzovali od form\u00e1lnych n\u00e1rokov, ktor\u00e9 boli kladen\u00e9 na tradi\u010dn\u00e9 form\u00e1ty. Aktu\u00e1lne dielo je pr\u00edkladom roz\u0161\u00edrenia ma\u013eby do priestorovej in\u0161tal\u00e1cie. Kriticky sleduje estetiku, o ktorej sa povojnov\u00fdm modernistick\u00fdm jazykom […]<\/p>\n","protected":false},"featured_media":0,"template":"","acf":[],"event_date":{"start_date":946684800,"end_date":1893456000},"_links":{"self":[{"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/event\/374933"}],"collection":[{"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/types\/event"}],"version-history":[{"count":1,"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/event\/374933\/revisions"}],"predecessor-version":[{"id":380295,"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/event\/374933\/revisions\/380295"}],"wp:attachment":[{"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/media?parent=374933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}