{"id":453193,"date":"2026-07-07T11:28:27","date_gmt":"2026-07-07T09:28:27","guid":{"rendered":"https:\/\/www.visitbratislava.com\/events\/kuratorska-prehliadka-vystavy-vazne-hry-2\/"},"modified":"2026-07-08T11:28:29","modified_gmt":"2026-07-08T09:28:29","slug":"kuratorska-prehliadka-vystavy-vazne-hry-2","status":"publish","type":"event","link":"https:\/\/www.visitbratislava.com\/sk\/podujatia\/kuratorska-prehliadka-vystavy-vazne-hry-2\/","title":{"rendered":"Kur\u00e1torsk\u00e1 prehliadka v\u00fdstavy V\u00e1\u017ene hry"},"content":{"rendered":"<p><strong>N\u00e1zov v\u00fdstavy odkazuje na filmov\u00fd cyklus Haruna Farockiho, v ktorom sk\u00famal vyu\u017eitie hern\u00fdch simul\u00e1ci\u00ed pri v\u00fdcviku americk\u00fdch vojakov. Farocki uk\u00e1zal, \u017ee simul\u00e1cia nefunguje ako \u00fanik od reality, ale ako jej forma \u2014 miesto, kde sa vzorce spr\u00e1vania a rozhodovania formuj\u00fa e\u0161te predt\u00fdm, ne\u017e sa telo ocitne v skuto\u010dnom konflikte.<\/strong><\/p>\n<p>V \u00e9re dronov\u00fdch konfliktov a dia\u013ekovo ovl\u00e1dan\u00fdch zbra\u0148ov\u00fdch syst\u00e9mov sa bojisko premenilo na operat\u00edvne pole obrazov. N\u00e1silie je sprostredkovan\u00e9 rozhraniami, ktor\u00e9 ho transformuj\u00fa na sekvencie rozhodnut\u00ed \u2014 logiku form\u00e1lne neodl\u00ed\u0161ite\u013en\u00fa od hry. Obrazovka r\u00e1muj\u00faca cie\u013e a obrazovka r\u00e1muj\u00faca hru s\u00fa \u010doraz \u010dastej\u0161ie tou istou obrazovkou.<\/p>\n<p>V\u00fdstava prin\u00e1\u0161a do dial\u00f3gu dvoch maliarov. Jakub Str\u00fd\u010dek \u010derp\u00e1 z estetiky videohier: jeho pl\u00e1tna evokuj\u00fa prostredia simul\u00e1cie a fragmentovan\u00e9 perspekt\u00edvy, v ktor\u00fdch sa subjekt rozklad\u00e1 na navigovate\u013en\u00e9 poz\u00edcie. Denis Braun pracuje s ikonografiou vojny, so zbra\u0148ami, krajinou a telom vstreb\u00e1van\u00fdm do syst\u00e9mov sledovania a z\u00e1sahu. Jeho obrazy presahuj\u00fa jednotliv\u00e9 pl\u00e1tna: figurat\u00edvne mot\u00edvy, abstraktn\u00e9 plochy a n\u00e1znaky n\u00e1silia koexistuj\u00fa v stave permanentnej kontamin\u00e1cie.<\/p>\n<p>V\u00e1\u017ene hry nie je v\u00fdstava o vojne v ilustrat\u00edvnom zmysle. Je to v\u00fdstava o obraze ako mieste, kde sa hranica medzi hrou a konfliktom produkuje ako podmienka toho, ako vn\u00edmame a rozumieme svetu. V oboch pr\u00edpadoch ma\u013eba funguje ako rozhranie, rovnako ako obrazovky, cez ktor\u00e9 vojaci sleduj\u00fa poh\u013eady dronov.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>N\u00e1zov v\u00fdstavy odkazuje na filmov\u00fd cyklus Haruna Farockiho, v ktorom sk\u00famal vyu\u017eitie hern\u00fdch simul\u00e1ci\u00ed pri v\u00fdcviku americk\u00fdch vojakov. Farocki uk\u00e1zal, \u017ee simul\u00e1cia nefunguje ako \u00fanik od reality, ale ako jej forma \u2014 miesto, kde sa vzorce spr\u00e1vania a rozhodovania formuj\u00fa e\u0161te predt\u00fdm, ne\u017e sa telo ocitne v skuto\u010dnom konflikte. V \u00e9re dronov\u00fdch konfliktov a dia\u013ekovo [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","acf":[],"event_date":{"start_date":1784160000,"end_date":1784160000},"_links":{"self":[{"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/event\/453193"}],"collection":[{"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/types\/event"}],"version-history":[{"count":1,"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/event\/453193\/revisions"}],"predecessor-version":[{"id":453341,"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/event\/453193\/revisions\/453341"}],"wp:attachment":[{"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/media?parent=453193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}