{"id":460659,"date":"2026-09-03T11:27:56","date_gmt":"2026-09-03T09:27:56","guid":{"rendered":"https:\/\/www.visitbratislava.com\/events\/kontaminacie-telo-vody-performativne-sympozium-pre-stelesnenu-umelecku-prax-2\/"},"modified":"2026-09-17T11:27:37","modified_gmt":"2026-09-17T09:27:37","slug":"kontaminacie-telo-vody-performativne-sympozium-pre-stelesnenu-umelecku-prax-2","status":"publish","type":"event","link":"https:\/\/www.visitbratislava.com\/sk\/podujatia\/kontaminacie-telo-vody-performativne-sympozium-pre-stelesnenu-umelecku-prax-2\/","title":{"rendered":"Kontamin\u00e1cie \u2013 Telo Vody: Performat\u00edvne symp\u00f3zium pre stelesnen\u00fa umeleck\u00fa prax"},"content":{"rendered":"<p>\u201eAk sme tel\u00e1 vody, klimatick\u00e1 kr\u00edza neexistuje mimo n\u00e1s. Nie je to extern\u00fd probl\u00e9m, ktor\u00fd sa d\u00e1 rie\u0161i\u0165 pozorovan\u00edm z dia\u013eky. Sme s \u0148ou u\u017e d\u00e1vno previazan\u00e9. Cykl\u00edme sa spolo\u010dne s \u0148ou, cez vz\u00e1jomn\u00e9 d\u00e1vanie a branie, cez opateru a extrakciu.\u201c Astrida Neimanis<\/p>\n<p>Voda odjak\u017eiva figuruje v \u013eudskej predstavivosti ako menovate\u013eka neust\u00e1lej zmeny a inherentn\u00e9ho spojenectva. Svojou tekutou, premenlivou povahou provokuje a symbolizuje umeleck\u00e9 praxe, no dnes prin\u00e1\u0161a aj posolstvo o hist\u00f3rii toxicity \u010di p\u00e1chanej bolesti, o ak\u00fatnom ohrozen\u00ed, prejavuj\u00facom sa vysychan\u00edm a nedostatkom. Za\u010diatkom roka OSN zverejnila v\u00fdsledky najnov\u0161\u00edch v\u00fdskumov In\u0161tit\u00fatu pre vodu a \u017eivotn\u00e9 prostredie a jej riadite\u013e Kaveh Madani vyhl\u00e1sil, \u017ee Zem vst\u00fapila do vodn\u00e9ho bankrotu. V tieni vodn\u00e9ho bankrotu umenie, veda a aktivizmus spolo\u010dne poz\u00fdvaj\u00fa vst\u00fapi\u0165 do podru\u010dia vody. Slzy, pot, sliny, lymfa a krv s\u00fa tekutiny, ktor\u00e9 reguluj\u00fa stav \u013eudsk\u00e9ho tela. Nie s\u00fa v\u0161ak odtrhnut\u00e9 od prostredia, od ostatn\u00fdch ekosyst\u00e9mov, vstupuj\u00fa do dial\u00f3gu so zregulovan\u00fdm tokom Dunaja, s toxickou skl\u00e1dkou vo Vrakuni, zaznamenan\u00fdm zvukom ohrozen\u00fdch vodn\u00fdch druhov, prevl\u00e1daj\u00facim suchom, \u010di \u017eia\u013eom \u017eensk\u00fdch hrdiniek, ktor\u00e9 sa rozhodli ukon\u010di\u0165 svoj \u017eivot vo vode.<\/p>\n<p>Program Kontamin\u00e1ci\u00ed prin\u00e1\u0161a r\u00f4znorod\u00e9 pr\u00edbehy a form\u00e1ty \u2013 od pohybov\u00fdch workshopov, predn\u00e1\u0161ok, kolekt\u00edvneho po\u010d\u00favania po diskusie \u2013 s cie\u013eom vytvori\u0165 priestor pre na\u010d\u00favanie, vte\u013eovanie a u\u010denie sa od vody a o vode. Poz\u00fdva tie\u017e na prekro\u010denie striktn\u00fdch hran\u00edc jednotliv\u00fdch odvetv\u00ed. Pozvanie prijalo umelectvo a vedectvo, ktor\u00e9 p\u00f4sob\u00ed na Slovensku, v \u010ceskej republike a v Ma\u010farsku. V\u0161etk\u00fdch sp\u00e1ja t\u00e9ma vody, jej poetick\u00e1 a politick\u00e1 sila, a znepokojenie z jej narastaj\u00facej zranite\u013enosti. H\u013eadia na horizont, za ktor\u00fdm s\u00fa umeleck\u00e9 praxe v rovnocennom dial\u00f3gu s vedou a aktu\u00e1lnou spolo\u010denskou a politickou situ\u00e1ciou. Zauj\u00edma ich tanec spolo\u010dn\u00e9ho prep\u00e1jania sa a rozvetvovania, ktor\u00fd sa prediera podzemn\u00fdmi z\u00e1sobami, sna\u017eiac sa dosta\u0165 do z\u00e1konov o ochrane pr\u00edrody a nasp\u00e4\u0165 do poh\u00e1rov a flia\u0161, z ktor\u00fdch v tejto chv\u00edli \u013eudia pij\u00fa a ovla\u017euj\u00fa si \u00fasta a jazyk.<\/p>\n<p><strong>Organiza\u010dn\u00fd t\u00edm:<\/strong><br \/>\n-Mana\u017ement a produkcia: Barbora Chomov\u00e1 Ur\u00edkov\u00e1<\/p>\n<ul>\n<li>Produkcia a PR: So\u0148a K\u00fade\u013eov\u00e1<\/li>\n<li>Grafick\u00fd dizajn: Bra\u0148o Matis<\/li>\n<\/ul>\n<p>Projekt sa realizuje s finan\u010dnou podporou Nad\u00e1cie mesta Bratislavy.<\/p>\n<p>Projekt z verejn\u00fdch zdrojov podporil Fond na podporu umenia.<\/p>\n<hr \/>\n<p><strong>Vo \u0161tvrtok, 24. septembra sa uskuto\u010dn\u00ed otvorenie symp\u00f3zia performanciou Evy Prie\u010dkovej a Zuzany \u017dabkovej Crying Girls.<\/strong><\/p>\n<p>Stereotyp \u201epla\u010d\u00faceho diev\u010da\u0165a\u201c \u010dasto evokuje precitlivenos\u0165 alebo emocion\u00e1lne pre\u0165a\u017eenie, no pla\u010d m\u00f4\u017ee by\u0165 aj aktom moci, zranite\u013enosti, radik\u00e1lnej \u00faprimnosti a uvo\u013enenia po emocion\u00e1lnom vrchole. Crying Girls to steles\u0148uje cez \u017eeny v \u201clate thirties\u201d, ktor\u00e9 znovu pre\u017e\u00edvaj\u00fa diev\u010denskos\u0165 v tel\u00e1ch podliehaj\u00facich rozkladu, pri\u010dom odkazuje na nekompromisnos\u0165 Thelmy a Louise.<br \/>\nDielo vyvinuli Eva Prie\u010dkov\u00e1 a Zuzana \u017dabkov\u00e1 ako pokra\u010dovanie ich dlhodobej spolupr\u00e1ce na tril\u00f3gii sk\u00famaj\u00facej \u017eensk\u00e9 telo, zranite\u013enos\u0165, rozpad a transform\u00e1ciu (Bodies in Trouble, 2018; Weak Women, 2023). K\u00fdm predch\u00e1dzaj\u00face pr\u00e1ce sa zaoberali \u201cfos\u00edlnymi telami\u201d a vy\u010derpan\u00edm, Crying Girls sa p\u00fdta, \u010do z nich m\u00f4\u017ee vyr\u00e1s\u0165 \u2013 vzne\u0161enos\u0165, levit\u00e1cia a hmata\u0165e\u013en\u00e1 mystika.<br \/>\nJavisko sa st\u00e1va zmyslov\u00fdm krajinn\u00fdm priestorom: oneskoren\u00e1 choreografia sa s\u00fastre\u010fuje na vzn\u00e1\u0161anie, vyn\u00e1ranie a oporu, kde sa performerky navz\u00e1jom dr\u017eia v krehk\u00fdch, premenliv\u00fdch rovnov\u00e1hach \u2013 padl\u00e9 anjelky st\u00fapaj\u00face cez slzy a dut\u00fd priestor \u00fast.<\/p>\n<p>Na rozdiel od n\u00e1hlych katastrof sa ekologick\u00fd kolaps odohr\u00e1va pomaly, takmer nevidite\u013ene. Crying Girls vznik\u00e1 z tejto medzery \u2013 predstavuje sm\u00fatenie ako telesn\u00fa prax nad stratou viac-ne\u017e-\u013eudsk\u00e9ho sveta a z\u00e1rove\u0148 t\u00fato stratu nahlas a spolo\u010dne ospevuje a uctieva.<\/p>\n<p><strong>Program:<\/strong><\/p>\n<p><strong>\u0160tvrtok<\/strong><\/p>\n<p>Telocvi\u010dna &#8211; Reziden\u010dn\u00e9 centrum pre tanec<\/p>\n<ul>\n<li>18:00 Eva Prie\u010dkov\u00e1, Zuzana \u017dabkov\u00e1: Crying Girls \u2013 performance<\/li>\n<\/ul>\n<p><strong>Piatok<\/strong><\/p>\n<p>Mark Twain, Karlovesk\u00e9 rameno Dunaja<\/p>\n<ul>\n<li>10:00 &#8211; 12:00 Pohybov\u00e9 prace in\u0161pirovan\u00e9 riekou (Dance Practice Inspired by River)<br \/>\nKatalin Bit\u00f3 (Hu): Harm\u00f3nia mokrad\u00ed (Wetlands Harmonies) \u2013 pohybov\u00fd workshop<br \/>\nAndrea Froncov\u00e1: O minulosti a bud\u00facnosti jedn\u00e9ho brehu rieky (On the past and future of one river bank)  \u2013 komentovan\u00e1 prech\u00e1dzka<\/li>\n<li>12:00 &#8211; 13:00 pauza<\/li>\n<li>13:00 &#8211; 15:00 Na kri\u017eovatke umenia a vedy (At the Crossroads of Art and Science)<br \/>\nAndrea Froncov\u00e1 a Katalin Bit\u00f3: Artist on Board Project \u2013 diskusia<br \/>\nAndrea Gogov\u00e1: Dunajsk\u00e9 telo vody: Transkorport\u00e1lnos\u0165 ochrany rieky Dunaj (Danube Body of Water: Transcorporeality of Danube River protection) \u2013 predn\u00e1\u0161ka<\/li>\n<li>15:00 &#8211; 15:30 pauza<\/li>\n<li>15:30 &#8211; 16:15 Pavla L\u00e9nyiov\u00e1: Daphne &#8211; In\u0161tit\u00fat aplikovanej ekol\u00f3gie (Daphne &#8211; Institute of Applied Ecology) \u2013 predn\u00e1\u0161ka<\/li>\n<li>16:30 &#8211; 18:30 Lucia Kr\u00e1likov\u00e1 (Cz): Ak\u00e1 to rados\u0165\/ Brodi\u0165 sa letnou riekou\/ Sand\u00e1le v ruke (Josa Buson) \u2013 participat\u00edvna prax<\/li>\n<\/ul>\n<p><strong>Sobota<\/strong><\/p>\n<p>Telocvi\u010dna &#8211; Reziden\u010dn\u00e9 centrum pre tanec<\/p>\n<p>Kabinet pomalosti, Nov\u00e1 Cvernovka<\/p>\n<ul>\n<li>10:00 &#8211; 11:30 Anka Sedla\u010dkov\u00e1: Syst\u00e9m telesn\u00fdch tekut\u00edn a tanec z perspekt\u00edvy (The Body Fluid System and Dance from a New Perspective) BMC\u00ae  \u2013 pohybov\u00fd workshop<\/li>\n<li>12:00-13:00 Laura Gen\u010d\u00farov\u00e1: Hydrofeminizmus ako kritick\u00e1 prax: Od vodn\u00fdch m\u00fdtov k s\u00fa\u010dasnej performancii (Hydrofeminism as a Critical Practice: From Water Myths to Contemporary Performance) \u2013 predn\u00e1\u0161ka<\/li>\n<li>13:00 &#8211; 14:30 pauza<\/li>\n<li>14:30 &#8211; 16:30 Nedostatok a toxicita vody (Water Scarcity and Toxicity)<br \/>\nJakub Urik: \u010co vo vode, to v n\u00e1s (As the Water Is, So Are We) \u2013 predn\u00e1\u0161ka<br \/>\nRobo \u0160varc: In\u00e1 voda (Different Water) \u2013 umeleck\u00e1 predn\u00e1\u0161ka a foto-esej<\/li>\n<li>17:00 &#8211; 19:00 J\u00e1n Sol\u010d\u00e1ni: Hlasy z hlb\u00edn (Voices From the Depths) \u2013 zvukov\u00e1 in\u0161tal\u00e1cia a predn\u00e1\u0161ka<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u201eAk sme tel\u00e1 vody, klimatick\u00e1 kr\u00edza neexistuje mimo n\u00e1s. Nie je to extern\u00fd probl\u00e9m, ktor\u00fd sa d\u00e1 rie\u0161i\u0165 pozorovan\u00edm z dia\u013eky. Sme s \u0148ou u\u017e d\u00e1vno previazan\u00e9. Cykl\u00edme sa spolo\u010dne s \u0148ou, cez vz\u00e1jomn\u00e9 d\u00e1vanie a branie, cez opateru a extrakciu.\u201c Astrida Neimanis Voda odjak\u017eiva figuruje v \u013eudskej predstavivosti ako menovate\u013eka neust\u00e1lej zmeny a inherentn\u00e9ho [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","acf":[],"event_date":{"start_date":1790208000,"end_date":1790380800},"_links":{"self":[{"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/event\/460659"}],"collection":[{"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/types\/event"}],"version-history":[{"count":2,"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/event\/460659\/revisions"}],"predecessor-version":[{"id":461856,"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/event\/460659\/revisions\/461856"}],"wp:attachment":[{"href":"https:\/\/www.visitbratislava.com\/sk\/wp-json\/wp\/v2\/media?parent=460659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}